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Tuesday, November 18, 2008
Still Evergreen
Posted by Steve

The image “http://www.arthousefilmsonline.com/images/stills/obscene_03.jpg” cannot be displayed, because it contains errors.

This past Sunday morning I heard an NPR interview with Barney Rosset, the former publisher and founder of Grove Press and Evergreen Review magazine (cover above by Paul Davis), who aggressively challenged the puritanical mores of 1960s America.

As Chip McGrath in the New York Times wrote:

"In its heyday during the 1960s, Grove Press was famous for publishing books nobody else would touch. The Grove list included writers like Samuel Beckett, Jean Genet, William S. Burroughs, Che Guevara, and Malcolm X (his autobiography), and the books, with their distinctive black and white covers, were reliably ahead of their time and often fascinated by sex.


The same was, and is, true of Grove’s maverick publisher, Barney Rosset, who loved highbrow literature but also brought out a very profitable line of Victorian spanking porn."

When I was 16 years old, I did everything imaginable to get my drawings printed in Evergreen Review, which already published Robert Grossman, Brad Holland, Tomi Ungerer, Edward Sorel, and others. By the time I was 19, I was briefly its art director (the cover of one of my issues--the one with the lion--is below). I met with Rosset a few times during my tenure, and once was when he told me he lost all the mechanicals for a book I designed for him about the film Last Tango in Paris. Fortunately I made photostats of all the layouts and we printed from that (needless to say, the typography was a mess).

Tomorrow Mr. Rosset will receive a lifetime achievement award from the National Book Foundation to honor his groundbreaking legal battles to defy the censors and publish uncensored versions of D.H. Lawrence's Lady Chatterley's Lover and Henry Miller's Tropic of Cancer, among other important literary events. He is also the subject of a documentary titled Obscene.

Mr. Rosset is still editing Evergreen Review, this time online.





Books | Daily Heller Vaults | Illustration | Magazines
11/18/2008 2:07:57 PM (Eastern Standard Time, UTC-05:00)    Comments [0]
Monday, November 17, 2008
Glaser is Drawing
Posted by steve



When Milton Glaser draws he thinks. This is the concept behind his elegant new book Milton Glaser: Drawing is Thinking, his most personal book to date. It is a symphony of drawing themes and styles juxtaposed in unique pairings to impart the emotional aspirations of Glaser's art rather than the client-driven function of his illustration. From representation to abstraction, from portraits to still lifes, this is a book about the joy of creating images on paper, free from the strictures of the marketplace.

"In Drawing is Thinking," says the publisher, "the drawings depicted are meant to be experienced sequentially, so that the reader or viewer not only follows Glaser through these pages, but comes to inhabit his mind. The drawings represent. . . the author's commitment to the fundamental idea that drawing is not simply a way to represent reality, but, as the title suggests, a way to understand and experience the world."


Books | Illustration
11/17/2008 1:42:58 PM (Eastern Standard Time, UTC-05:00)    Comments [2]
Friday, November 14, 2008
Putting the Picture in Politics
Posted by Steve



Tomorrow--Saturday, November 15--the Parsons Illustration Department is hosting Picturing Politics (organized by Nora Krug) at the New School Tishman Auditorium from 1 to 5:30 pm. Admission is free. (Image above by Guy Billout.) The event is described thus:
    Illustrative responses to world events, large scale and small, have an effect both visceral and intimate. PICTURING POLITICS explores the current state of political and social visual commentary. The Illustration Program of Parsons The New School for Design and the Department of Politics of The New School for Social Research jointly present an afternoon of reflections on the intersection of art and politics.
    Also on view in conjunction with the symposium is a reception for an exhibition of illustrated covers for Der Spiegel magazine that opens on November 14th, 6pm, at Parsons, 2 W 13th street, 8th floor. The exhibit will be on view until November 30th.
    If you are in Santa Monica this weekend, check out Robbie Conal's exhibit of political commentaries at Track 16 Gallery.
    Or if you simply want to curl up with some reading (and viewing) matter on political and apolitical illustration, check out the following: Varoom magazine, edited by Adrian Shaughnessy; 3x3 magazine (image below by Polly Becker), edited by Charles Hively; All the Art That's Fit to Print (And Some That Wasn't): Inside The New York Times Op-Ed Page, by Jerelle Kraus; or Illustration: A Visual History, by me and Seymour Chwast.


Events | Exhibitions | Illustration | Magazines
11/14/2008 10:08:39 AM (Eastern Standard Time, UTC-05:00)    Comments [2]
Monday, November 03, 2008
Fins and Chrome, Ooh La La
Posted by steve



"To call Art Fitzpatrick an automobile illustrator," writes Dave Caldwell in The New York Times, "is to leave half of the canvas blank." Mr. Fitzpatrick is the man behind the chrome when it comes to selling cars in dreamlike illustrations "pitching a carefree lifestyle." His luminescent ads for Life, Look, and the Saturday Evening Post for Pontiac Bonnevilles and Catalinas created the aura for American behemoth automobiles (and influenced Bruce McCall's parodies (bottom) in "The Last Dream-O-Rama.") The Times refers to him as "the Michelangelo of the Muscle Car," but more than that, he is the chronicler of the American Dream. See his recent set of Fins and Chrome U.S. stamps below.






Advertising | Illustration
11/3/2008 5:50:03 AM (Eastern Standard Time, UTC-05:00)    Comments [1]
Wednesday, October 22, 2008
Chwast Versus Ogden Nash
Posted by Steve


Thanks to Art Chantry, design archeologist par excellence, I am now the proud owner of Funniest Verses of Ogden Nash, illustrated by Seymour Chwast in 1968, and published by Hallmark Editions. It features such wry witticisms as "Lines on Facing Forty": I have a bone to pick with Fate. / Come here and tell me, girlie, / Do you think my mind is maturing late, / or simply rotted early? (image below, top). Then, there's "Assorted Chocolates": If some confectioner were willing / To let the shape announce the filling. / We'd encounter fewer assorted chocs, / Bitten into and returned to the box. (image below, bottom)

There's more, like "Ask Daddy, He Won't Know," "Lather as You Go," and "The Hat's Got My Tongue," all splendidly illuminated in Chwast's early, colorful linear style.

Happily, if you look, / you may find the book. / The online dealer is not a crook, / and his prices do not rook, / so surf here yourself to get the book / I guarantee it will look very good in that special nook.










Books | Daily Heller Vaults | Illustration
10/22/2008 9:28:56 AM (Eastern Daylight Time, UTC-04:00)    Comments [1]
Monday, October 20, 2008
Cool Cat
Posted by steve



Marshall Arisman dedicates his new book The Cat Who Invented Bebop to Dee (his wife) and Katman (their cat). Indeed, Katman was the inspiration for the cool cat in this delightfully penned, beautifully illustrated saga of feline frolic on the jazzy streets of New York. The coolest of all the cats is Stringbean McCoy, a stray with a penchant for swing (who you can see and hear here). Of course, as Arisman notes, the real swingin' cats were Charlie "Bird" Parker, Dizzie Gillespie, and Thelonious Monk, and "any resemblance to actual cats, living or dead, is purely coincidental." But this book makes you want to believe. (Published by Creative Editions and designed by Rita Marshall).










Animals | Books | Illustration
10/20/2008 11:35:03 AM (Eastern Daylight Time, UTC-04:00)    Comments [1]
Wednesday, October 15, 2008
Master of Caricature: David Levine
Posted by steve



David Levine is America's foremost political and literary caricaturist. Although his signature linear style has been copied by more illustrators for more decades than any other cartoonist, no one has equaled his acerbity and wit. He's had more direct hits on presidents and prelates than any other contemporary. Who could forget his Lyndon Johnson showing the scar of Vietnam (above) or Richard Nixon as Captain Queeg from The Caine Mutiny or Henry Kissinger's relations with the world (bottom)?

But as David Margolick writes in Vanity Fair: The 81-year-old Levine's "universe had grown darker and fuzzier." New work appears much less frequently because "He could no longer see very clearly without strong light and magnification, or rely upon his hand: the lines that had always been his friends, the spare, crisp ones that defined someone’s shape, and the elaborate cross-hatchings that gave him soul, he could no longer control. His ophthalmologist had put it bluntly. 'Mr. Levine, you don’t look your age,' he said. 'But your eyes do.' His diagnosis: macular degeneration. Medications and injections didn’t help. Levine worked on, but laboriously. He abandoned pen and ink for pencil, which, as he puts it, 'was more forgiving if I made a mistake.' But the results were plain enough. For the first time—except for those very few instances when it had been too tart for the publication’s taste—the [New York Review of Books] rejected his work." (Photo of Levine by Gasper Tringale, below.)

Levine's presidential caricatures (including those of John McCain and Barack Obama) and selected paintings are on view at New York's Forum Gallery until November 8.






Celebrity | Illustration | Politics
10/15/2008 7:42:57 PM (Eastern Daylight Time, UTC-04:00)    Comments [2]
Tuesday, October 14, 2008
Remembering the Classics, Illustrated
Posted by steve




When I was twelve years old, I made a pilgrimage to the offices of Classics Illustrated Comic Books on Third Avenue and 16th Street in New York. The walls were covered with illustrated covers, each done in a realistic pulp style that tickled my imagination. I was particularly taken by their approach to Frankenstein (no Boris Karloff monster he), frightened by The War of the Worlds (which now seems so quaint), and I marveled at The Time Machine (I still believe someone will invent one). The other day I found a few of my favorite issues and was reminded how these comics taught me the joy of reading--comics, that is. Although I never got away with only reading these comics for class assignments (I also read the CliffsNotes), seeing how the Classics Illustrated artists portrayed Paul Bunyan, Oliver Twist, and the Prisoner of Zenda helped me to visualize these stories and their protagonists more easily than reading the original books.

I also recently found a copy of Robinson Crusoe, a Classic Comics book, the precursor of Classics Illustrated, and was reminded where graphic novels really came from.








Comics | Daily Heller Vaults | Illustration
10/14/2008 9:34:17 AM (Eastern Daylight Time, UTC-04:00)    Comments [4]
Monday, October 06, 2008
Comrade Stalin, Art Director
Posted by steve



Boris Yefimov, comrade Stalin's favorite--and Herr Hilter's least favorite (see below)--Soviet political cartoonist, died last week at 108. His 1947 cartoon titled "Eisenhower to the Defense" (above) was the first salvo in the Cold War. Stalin ordered Yefimov (born Boris Friland in Kiev, the second son of a Jewish shoemaker) to draw General Dwight D. Eisenhower leading the U.S. Army to the North Pole, looking for a war. A civilian asks him why the U.S. should fight in such a peaceful spot and the General answers: "Can’t you see that the Russians are threatening us?" (Shades of current Alaskan foreign policy, perhaps.)

Yefimov worked all night, drawing a family of peaceful Eskimos around an igloo. "The next afternoon, Stalin rang and demanded the picture by six in the evening," Roger Boyes reported recently in the London Times. "Two days later, Yefimov was called in. He was quaking in his shoes. The likelihood of displeasing Stalin was high: He had been friends with the archenemy Leon Trotsky, his father was Jewish, and his brother, [a journalist and] the editor of Ogonyok magazine, had been killed after falling foul of Stalin. But the cartoon was approved. Stalin scrawled the title in red crayon, 'Eisenhower to the Defense.' He even failed to spot that Yefimov, in the rush to meet the deadline, had mistakenly put penguins at the North Pole."

For a fascinating obituary, read Douglas Martin's article from yesterday's New York Times. And don't miss this Guardian obituary.









Illustration | Obit | Propaganda
10/6/2008 12:20:17 PM (Eastern Daylight Time, UTC-04:00)    Comments [0]
Thursday, September 25, 2008
Niemann's Character Studies
Posted by Steve



Every so often in a sea of seasonal children's books, one rises to the surface for its ability to capture the hearts and minds of its audience--as well as those who never thought they'd be the audience. Christoph Niemann's The Pet Dragon is just such a feat. Niemann has managed to introduce his old and young readers to the wonders of Chinese pictographs through a cast of delightful characters destined to become classic.
    The Pet Dragon, aptly subtitled A Story about Adventure, Friendship, and Chinese Characters, is a buddy tale in which everything takes on the literal shape of a character. He masterfully (and even magically) superimposes and intertwines the narrative, pictographs, and protagonists in such a way that in the end, the reader can actually read Chinese. We've come to expect Niemann's illustration to tickle the senses, and this book does that and more--it's like a great big fortune cookie.












Books | Illustration
9/25/2008 5:24:33 AM (Eastern Daylight Time, UTC-04:00)    Comments [3]
Thursday, September 18, 2008
Baby Boomer Wit
Posted by Steve



There was a time when the best day of every month was the day The National Lampoon hit the newsstands. Those are long gone. But for some of us, the memories linger (like the savagely prescient cover below). For Rick Meyerowitz, the satiric illustrator who brought us Mona Gorilla (above), the Lampoon legend is an everyday immersion. He is currently researching his book, DRUNK STONED BRILLIANT DEAD: The Writers and Artists Who Made the National Lampoon So Insanely Great (Harry N. Abrams). It's a mouthful, but it promises to be trove of incredibly funny material (as well as recollections by Lampoon survivors).

Steve: How will the book be different from a conventional anthology?

Rick: It's about the writers and artists who contributed brilliant pieces every month for years--who they were, what their work was like, where they went afterwards. Each artist and writer I select will get several pages to show his best work, which I am selecting: It's my pick.

Steve: Is everyone being cooperative?

Rick: The writers and artists have agreed to contribute anecdotes and ephemera and to write short essays about each other. There will be some never-before-published work and much brilliant but forgotten work.

Steve: Ah, brilliant! I can't wait.

Rick: Well, you'll just have to.




Illustration | Magazines
9/18/2008 6:11:07 AM (Eastern Daylight Time, UTC-04:00)    Comments [0]
Wednesday, September 17, 2008
What Do These People Have in Common?
Posted by Steve



What, you might ask, do these famous and infamous people have in common? All of them either wanted to be, studied to be, worked as, or simply acted as illustrators.
    Gary Cooper came to New York to find fame and fortune in the art business--he failed. Katherine Harris, former Florida Secretary of State who skewed the 2000 election toward George W. Bush, studied one summer at the illustrator's program at Ringling School. Enrico Caruso made caricatures of famous artists and musicians. George Lincoln Rockwell (at center of the image below), the leader of the American Nazi Party in the 1950s, was an accomplished illustrator and cartoonist, and even won an award from the Society of Illustrators. Pablo Picasso (painted here by Juan Gris) published cartoons in satiric newspapers in France and Spain. (Juan Gris contributed his own cartoons to the satiric L'Assiette au Beurre.) And Tom Hanks, in his first cross-dressing role, played a "graphic artist" (a.k.a. illustrator) on Bosom Buddies.
    Can you think of others who gave up the illustrative arts for fame or infamy, fortune or penury?

(Ed. note: If you missed the first two e-mails this week due to technical difficulties, here are the entries from Monday and Tuesday.)










Celebrity | Illustration
9/17/2008 8:02:33 AM (Eastern Daylight Time, UTC-04:00)    Comments [11]