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Wednesday, November 19, 2008
Purging Picasso
Posted by steve


After complaints to the city's Buildings Department and concern from the Ukrainian community in New York City's East Village, Cooper Union removed a large banner from its façade showing Pablo Picasso's 1953 portrait of Josef Stalin (above). The work (below) was part of a solo installation by Lene Berg, a Norwegian artist, who included it as part of her exhibit, "Stalin by Picasso or Portrait of Woman with Mustache," featuring projects that reflects on the artistic and cultural works produced during the Cold War–era. "Berg's exhibition provokes discussion on the relationships between art and politics, in recent history and in the contemporary moment," states the press release.

According to Ms. Berg, who lives in Berlin, the removal occurred without her knowledge or any warning. Community leaders complained that this year was the 75th anniversary of a famine imposed by Stalin that killed millions of Ukrainians. Ironically, when this portrait was drawn, it was frowned upon by the Communists as being an unsympathetic depiction of the Russian dictator, which prompted this response from Picasso:

"Can you imagine if I had done the real Stalin, such as he has become, with his wrinkles, his pockets under the eyes, his warts. A portrait in the style of Cranach! Can you hear them scream? 'He has disfigured Stalin! He has aged Stalin!'"

On November 14, the New York Civil Liberties Union issued a press release with a letter to the Bloomberg administration asking them to explain the removal of the banners from Cooper Union's façade (click here). And for more information read here and here (photo below by Gianni Cipriano for The New York Times).


Politics | Propaganda | Signage
11/19/2008 7:27:13 AM (Eastern Standard Time, UTC-05:00)    Comments [4]
11/19/2008 9:55:54 AM (Eastern Standard Time, UTC-05:00)
very interesting. if only it were drawn with, gasp, elephant feces!
11/24/2008 12:31:38 AM (Eastern Standard Time, UTC-05:00)
That portrait makes Stalin look positively nice. It reminds me a bit of Kurt Vonnegut's self-portraits. Was he influenced by Picasso?
11/25/2008 5:47:43 PM (Eastern Standard Time, UTC-05:00)
Freddie Mercury?
Dan
12/8/2008 5:09:19 PM (Eastern Standard Time, UTC-05:00)
It's interesting to notice that in the Cooper Union artist's banner the Picasso drawing is actually being held up in front of the artist's face. The artist wasn't simply hanging a portrait of Stalin, nor simply hanging Picasso's portrait in a kind of readymade mode or as an act of curation. The artist did something more -- she created a new artwork, a self-portrait, using Picasso's work as a historical reference. Apparently she was aware of Picasso's statement of artistic political protest and the power he could weild with his art, but not quite aware of her own.

Despite the layers of meaning, the net effect was to put the face of a genocidal killer right in the face of his victims. You can't expect everyone to understand art, or pick up on the artwork's nuances (most journalists failed to notice the portrait-within-a-portriat quality of the artwork), especially in a public space.

It's sometimes hard for me to reconcile my respect for free speech with someone, even inadvertently, hurting people who don't deserve it.

My mother lives in Vermont. One day her elderly neighbor put up an anti-gay sign. She walked to her neighbor's door and told him that it offended her deeply, and that this was no way to have a friendly relationship with your neighbors. He took the sign down. Censorship? Or just neighborliness?
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